'No one can help me but myself.' |
I think now is the time to start talking more about Philippine cinema and those who contributed to it. These days, Philippine cinema mainly consists of comedy, and sometimes even rehashed plots from other dramas but has slowly and fortunately made way for original filmmakers to make films worth talking about. This is going to be my first entry in a new series called Filipino Palette where I will be talking about films made locally and my first entry is going to be about 1976's Insiang which was the first Filipino film shown at the Cannes Film Festival and directed by the late Lino Brocka starring Hilda Koronel, Mona Lisa, Rez Cortez, Marlon Ramirez, Ruel Vernal and Nina Lorenzo. Insiang (Hilda Koronel) is a young woman living in the slums of Tondo, Manila with her mother Tonya (Mona Lisa), outside their small shack she is seen as the object of attention to men, and catches the unwanted attention of her mother's much younger boyfriend Dado (Ruel Vernal), a butcher and the alpha male of the slums who charms his way into her and her mother's life. Insiang feels lonely despite being surrounded by people everyday but she has allies in her best friend Ludy (Nina Lorenzo), who runs a sari-sari store in the slums with her family, Insiang's aimless boyfriend Bebot (Rez Cortez) a mechanic and gambler and Nanding (Marlon Ramirez), Ludy's younger brother who admires her from afar but all are powerless against Dado's hold on the slums and Insiang.